At first glance, the contrast between Robert Chaplin of day-two and Serge Ben Nathan of day-three could not be greater, but in both cases, conversations spiral down to the heart of the matter where I found the two artists closely aligned. Robert Chaplin, the rugged disestablishmentarian carver/illustrator, rubs elbows with illustrious outsiders like punk rock icon-celebrity shoe designer John Fluevog and unnamed motorcycle gangsters, meanwhile, the monk-like Serge Ben Nathan is more at home in the concert Halls of Canada’s Arts Center or Paris Opera. What aligns them is their penchant for storytelling, untangling the conflict of contrasting narratives while illustrating them using humor, and light-hearted play.